Canon EOS 5. 50. D (Rebel T2i / Kiss X4 Digital) In- depth review: Digital Photography Review. The Canon EOS 5. 50. D is a difficult product to categorize. Ostensibly designed to appeal to first- time DSLR buyers and enthusiasts, it offers a lot more technology, and at a higher price, than we might expect for a camera aimed squarely at this sector. Although it might seem logical for the 5. D to replace the EOS 5. D, the older camera is set to continue in Canon's lineup, which leaves the 5.
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- Overview. Infinite Possibilities For stunning photography with point and shoot ease, look no further than Canon’s EOS Rebel XSi. The EOS Rebel XSi brings staggering.
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Canon Rebel XSi (EOS 450D, Kiss X2, 2008-) 12MP, 3.5 FPS, 3' LCD, $725. © 2008 KenRockwell.com. Canon Rebel XSi (EOS 450D) enlarge. Gapless micro lenses First touted by Canon on the 50D, the EOS 550D's sensor has what are effectively gapless micro lenses, which significantly increases the. There are a lot of parts that go into the Canon products you rely on to provide the results you need. Learn more about the designs and technologies that make them so.
D pinched between its entry- level (represented by the still- current EOS 1. D and the 5. 00. D) and nominally enthusiast (the EOS 5. D) peers. Confusingly however, apart from build quality (which is all but identical to the EOS 5. D), the 5. 50. D has more in common with the prosumer EOS 7. D, and - perhaps even more confusingly - it out- specifies the EOS 5. D in many areas. Central to the impressive specification of the EOS 5.
D is a high- spec movie mode which offers full HD capture at up to 3. The new camera also inherits the EOS 7.
D's sophisticated metering system (which brings it a lot closer to similarly positioned Nikon SLRs). So why has Canon apparently risked cannibalizing 7. D sales by releasing such a similarly- specced, lower- end model? Well, Canon might have invented the 'entry- level' DSLR way back in 2. EOS 3. 00. D, but these days, this sector of the marketplace is pretty crowded.
Far from enjoying a monopoly, Canon, like all manufacturers, faces a stiff battle to make its products stand out. To this end, Canon has pulled out all the stops with the EOS 5. D and produced the most highly- specced Rebel we've ever seen. Now that a production sample has arrived in dpreview's offices, we've had the chance to subject it to our full in- depth test procedure. Read on to find out how it performs.
A brief history; Canon entry level digital SLR series* The Canon EOS 1. D represents a sub- class of the Rebel series and hence should be considered a parallel series. Headline features. Megapixel APS- C CMOS sensor. DIGIC 4 processor with ISO 1. Expansion to 1. 28.
Continuous shooting at 3. Full HD movie recording with manual control and selectable frame rates. Clear View LCD with 1,0.
FCL metering System with 6. Dual- layer Metering Sensor. Quick Control screen to change shooting settings. Exposure compensation +/- 5 stops (although viewfinder scale is still +/- 2 stops)Select maximum value for Auto ISOExternal Microphone socket. Movie crop function. Eye- Fi connected functions compatibility. EOS 5. 50. D vs EOS 5.
D Key differences. Higher resolution 1. MP CMOS with gapless micro lenses.
ISO 6. 40. 0 no longer in 'expanded' range (1. Redesigned buttons and new movie/live view button. Customizable auto ISO ranges. Improved 6. 3 zone metering (i.
FCL)3: 2 format screen with more pixels. Improved movie functionality. Slightly higher burst shooting rate (though buffer holds fewer shots)HDMI control (CEC)SDHX Compatible. CMOS sensor The 5.
D uses a new, 1. 8. D (according to our sources at Canon). As before the sensor uses high frequency vibrations to remove dust. Gapless micro lenses.
First touted by Canon on the 5. D, the EOS 5. 50. D's sensor has what are effectively gapless micro lenses, which significantly increases the efficiency of each pixel. FCL metering. The consumer EOS range gets a welcome metering boost with a new 6. FCL metering sensor (first seen on the EOS 7. D). The i. FCL system uses focus, color and luminance information to determine consistently exposed shots. All focus points provide distance information to the metering system to determine proximity to the subject and allow the algorithm to weight the exposure accordingly.
Typically, metering sensors are more sensitive to red subjects which can lead to overexposure. The EOS 5. 50. D combats this with the dual layer sensor, which has one layer sensitive to red and green light and one that is sensitive to blue and green light. The metering algorithm then compares the level of the two layers and adjusts the meter reading accordingly. Full HD movie mode. In keeping with the overall specification hike the EOS 5. D gets full HD (1.
EOS 7. D. You also get full creative control (over apertures and shutter speeds), and you can set Highlight Tone Priority for movies independently of the setting used for stills. Another welcome addition is the inclusion of a stereo microphone jack. Screen Color. There are several minor changes to the user interface. You can now preview the color schemes available for the Quick Control Screen. Copyright information. The new in- camera copyright information feature - another that's trickled down from the latest professional models - allows copyright data to be entered directly into the camera, appending that information to each image file in the Exif metadata. Button changes. The EOS 5.
D gains new button dedicated to Live View / movie mode; where it used to sit on the EOS 5. D is now a new 'Q' button (for fast access to the Quick Control Screen). Most of the buttons have been redesigned, and they're generally larger and flatter.
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